| The project, GODISAWOMAN, documented my experience of being detained at Gatwick Airport, | ||||
| London on the first day of the year 2012, due to the “unclear reason of visiting”. The title came | ||||
| from a drawing I found in a bible at the detention room. | ||||
| In the project, I combined images and text, narratively describing what happened during the 12 | ||||
| hours of detention, exploring and questioning the concept of nationality, border, identity and | ||||
| imperialism, unveiling the hidden judgment and connotation underneath the global social | ||||
| security system. | ||||
| During the detention, I was not allowed to take any pictures. In order to describe the story vividly, I | ||||
| have searched pictures on Google with “key words” related to the stories, and then applied the | ||||
| found images to the text. | ||||
| The project not only explores the influence of economy, imperialism and post-colonization on | ||||
| bias against race, gender and nationality, but also investigates the role of Internet as the most | ||||
| rapidly-grown mass media, raising the questions of the censorship and authenticity in the | ||||
| information we receive everyday. By applying found images on blogs or news, I also intend to | Read the book | |||
| connect people who have similar experiences. | ||||