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How to get out of London in 30 days is a reverse travel guide with an accompanied performance, | ||
aiming to reveal the imperialistic illusion constructed by mass media and the immigration | ||
policies of British government, meanwhile, examining the roles of immigrants in the never- | ||
changing looping system. From the perspective of an immigrant in London, Cheng made the | ||
project while waiting for the result of a painstaking visa application. The work reflects the | ||
perpetual absurdity of the immigration policy and the growing xenophobic atmosphere, | ||
exploring the paradoxical reciprocation between the imagined fantasy and the reality. | ||
For the project, Cheng hired immigrants in London to give out the brochures in and around the | ||
exhibition space. All the 500 brochures are printed and bound by the artist herself (as an | ||
immigrant). The performance also reflects Cheng’s part-time job which not only tells us about |
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the real life of an immigrant but also the precarious situation artists find themselves in when | ||
faced with the realities of work. | ||
Text by curator Ying-Hsuan Tai for the exhibition "The xenophobia of time?" | ||
Documentation of the performance / public interaction at the exhibition "The xenophobia of time?" | ||