| ‘Mystic Writing-Pad, 1908-2008’ is about the relationship between humans, objects, photographs and |
| memories. |
| Photographs, like objects, are the evidence of the past and the embodiment of memories. We remember the |
| past by them. However, pictures can lie, and so can our minds. We will never know whether memory is real or |
| not. It is like history, something we desire but which can never be reached. Like secondary revision in ‘The |
| Dream Works’, we revise our memories, transforming them into something better or worse. As in the saying, |
| “The good old days are gone”, we cherish those enhanced memories in nostalgia while the authenticity of |
| them is still obscured. |
The title for this work came from Sigmund Freud’s article ‘A note upon the mystic writing-pad’, (1925). In the |
| article, Freud used a children’s toy called a mystic writing-pad, which he compared to the way in which |
| memory works. |
| In the project, the artist found and selected second-hand objects from flea markets and charity shops, and |
| photographed each of them with a vintage camera. The process is about treasure hunting and imagines the |
| story of an object that was once owned by someone unknown. Each object tells the story of a fictional |
| character written in parallel with a real historical event. |
| The fictional story represents a type of private memory which exists in everyone’s life, while the real historical |
| event represents a public memory in the same period. Each image is 4” x 4” and the photographs are |
| arranged chronologically, from 1908 – 2008, and range from black and white to color. The antiquated texture |
| and the blurring of the image represent the ambiguity of dimly recalled memories; the commentary of each |
| image oscillates between real and fiction, and private and public. The work, which was begun in 2009, covers |
| the hundred years up to 2008. The images and text are represented in an archival form, signifying something |
| worth treasuring, and transforming private memories into public memories. Nevertheless, the authenticity of |
| the images remains obscure and unknown. |
'Mystic-Writing Pad, 1908-2008' is participated in the exhibitiones below, |
| Past in Present, Art Works Gallery, Newcastle |
| The Archival Organism, University of Arts London, London |